Inspired by “The Birds” (1963) directed by Alfred Hitchcock (1899-1980), her latest work tells of a story about waiting – to remain in unending expectation. Featured in the classic Hitchcock film was a scene of birds gathering outside of the schoolhouse; children reciting the tune “risseldy, rosseldy, mow, mow, mow”, of lyrics that are absurd and senseless. Complicit in the mechanical unwinding, the children’s music conceals danger. However, the artist has removed the humans and the birds from the scene, to set free of those who are in fear. The threat is removed, the song remains, but the anticipated attack would never happen. The wait expands beyond actual time. The song keeps repeating itself to kill time. The futility of presence degenerates into a silly routine, only buzzing in our ears.