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Magritte with his note book, and a cup
馬格利特和他的記事本,還有一隻杯

    Magritte with his note book, and a cup 馬格利特和他的記事本,還有一隻杯 inkjet print with chine-colle 數碼輸出加裱貼 25 x 13.5 cm each, 3 panels 2012     His wall and his notebook 他的牆和他的記事本 etching 銅板蝕刻 25 x 13.5 cm each, 3 panels 2012     looking at 看著看著 etching 銅板蝕刻 25 x 13.5 cm each, 3 panels 2012     Only his wall in the mirror 鏡中只有他的牆 etching 銅板蝕刻 25 x

hiding, at 藏,在

hiding 藏 etching 銅板蝕刻 15 x15 cm 2012   at 在 etching 銅板蝕刻 15 x15 cm 2012   “Hiding” and “At” are two words no matter with their separated or combined usage, there are spatial implications. I transformed the Chinese characters of these two words “藏” ”在”into structural models, then I produced a paper sculpture

Incomplete moments-the black wall
不完整的瞬間﹣黑色的牆

  Incomplete moments-the black wall / 不完整的瞬間﹣黑色的牆 etching 銅板蝕刻 192cmx180cm 1/1-unique 2010   Sitting cross-legged, inhaling, and let the stream of air send the dust dancing. Gazing at the silent ray of light, sensing the nuances of movement in the eternity of time. Following the rhythm of light, exhaling, until it evaporates into the thin

Incomplete moments-the red wall
不完整的瞬間﹣紅色的牆

Incomplete moments-the red wall / 不完整的瞬間﹣紅色的牆 etching 銅板蝕刻 180 x 200 cm 2 editions 2010     The 30 prints were made from one single plate, polished after every printing, and hence from darkness to light. This set describes the light going into a quiet space. 30張作品是由一張銅版逐次打磨印制出來的 。經歷30次打磨,把暗黑退下變成光亮,成就了寂靜的空間。